heaven
Listen Now
lipstick
Listen Nowlosing a whole year
Listen Nowfrench toast
Listen Nowtrouble
Listen Nowhoneymooners
Listen Nowsame song forever
Listen Nowsomeone's gotta be last
Listen NowCry for you 🪽 we just had the best time writing this together @isabel.s.larosa you’re my lil superstar @thomas.larosa @themonsters_strangerz ❤️

Cry for you 🪽 we just had the best time writing this together @isabel.s.larosa you’re my lil superstar @thomas.larosa @themonsters_strangerz ❤️
Heaven music video out now ❄️🪽
Don’t let the fake snow fool you we shot this in Nashville in 20 degrees and I froze my tits off
Directed by @runningbearfilm
DP @featherstun_dop
Snow / practical effects @everettbyromlll
Glam @jkinigopoulos
Styling by me and Alexa hehe

Heaven music video out now ❄️🪽
Don’t let the fake snow fool you we shot this in Nashville in 20 degrees and I froze my tits off
Directed by @runningbearfilm
DP @featherstun_dop
Snow / practical effects @everettbyromlll
Glam @jkinigopoulos
Styling by me and Alexa hehe
Handlebars @jennierubyjane ft @dualipa out now ❤️❤️❤️❤️ 🖊️
The day we wrote this song I fell back in love with writing pop songs !!! I remember we all knew we had been a part of such a special thing. Pretty much my favorite song ever written with my favorite people ever thank you everyone involved in this babiiii
@amyallen @valleyboysucks @idovstheworld @robbisel @gabzlandman @official_love_nicole @wildchildmusiccompany @beninlimbo

Handlebars @jennierubyjane ft @dualipa out now ❤️❤️❤️❤️ 🖊️
The day we wrote this song I fell back in love with writing pop songs !!! I remember we all knew we had been a part of such a special thing. Pretty much my favorite song ever written with my favorite people ever thank you everyone involved in this babiiii
@amyallen @valleyboysucks @idovstheworld @robbisel @gabzlandman @official_love_nicole @wildchildmusiccompany @beninlimbo
Heaven 🪽 out now
During the recording of this song I quite literally had to have JT give me a moment to hysterically cry on the floor in the vocal booth.
This song is a bit scary for me to release because it’s about my marriage and if you read the lyrics you will know why. Every time I’m in that moment- the moment where the chords are being played and I feel myself being visited by the ever so elusive inspiration gods, I feel myself hesitate for only a second and then I simply ask myself what am I writing if it’s not the truth? Thank you Nate and JT for writing this with me and for always being my safe space. Thank you James for loving the song and always supporting me. Thank youuuu for listening ❤️

Heaven 🪽 out now
During the recording of this song I quite literally had to have JT give me a moment to hysterically cry on the floor in the vocal booth.
This song is a bit scary for me to release because it’s about my marriage and if you read the lyrics you will know why. Every time I’m in that moment- the moment where the chords are being played and I feel myself being visited by the ever so elusive inspiration gods, I feel myself hesitate for only a second and then I simply ask myself what am I writing if it’s not the truth? Thank you Nate and JT for writing this with me and for always being my safe space. Thank you James for loving the song and always supporting me. Thank youuuu for listening ❤️
Tate ⭐️🪽🦋 this album is sexy pop bliss and siren sounds is my favorite song we’ve ever written together ❤️🩹

Tate ⭐️🪽🦋 this album is sexy pop bliss and siren sounds is my favorite song we’ve ever written together ❤️🩹

hi, my name is delacey
Converting raw, uncut emotional energy into three-minute bricks of kinetic creativity, L.A.-based artist and
songwriter Delacey is a hit making multi-hyphenate with a compulsive calling to turn heads and challenge
hearts.
Both a seasoned collaborator and an emerging alt-pop poet-performer, a decade of work now finds her baring it
all – in the hope others might see themselves.
“It’s super vulnerable putting out music – especially the way I’m constantly doing it, which is being way too
honest all the time,” she admits. “I’ve been at this for 12 years now, and I can pretend I’m really jaded …
but
at the end of the day I’m still the little girl who was just fucking obsessed with music.”
With humble beginnings in the suburbs of Orange County, California, that obsession began early for Delacey –
and
so did the drive to walk her own path. Born to a non-musical (but always-encouraging) family of Michigan
transplants, she was nevertheless drawn to expression, acting in local musicals by 3 years old, playing piano
and writing early songs by 7, and then taking up script-writing, photography, videography, and more. “I always
loved to be the center of attention,” she admits, “and just performing and creating nonstop.”
Meanwhile, she was also devouring father’s collection of classic vinyl, pulling a thread of inspiration from
Billie Holiday through Stevie Nicks and into the ‘90s alt-rock revolution. Transfixed by the Smashing Pumpkins
and Mazzy Star (especially trailblazing front woman Hope Sandoval), she would one day carry their edgy
non-conformity into her own brand of hazy post-pop. But first, she left high school for New York City, getting
a
job at a photography agency. It was fast, but formative.
“The whole time I was in New York, I was writing music and doing open mic nights – writing and writing and
playing guitar to deal with my fucking depression,” she explains. “I was like, ‘Okay, you know what? I’m never
picking up my camera. All I’m doing is picking on my guitar.’”
Taking the realization to heart, Delacey moved back west and started grinding in the L.A. songwriting scene,
racking up cross-format credits that range from urban contemporary to K-pop and everything between. Nursing a
songwriting addiction (even as her own artistic vision developed), her key cuts now include the Billboard Hot
100 #1 “Without Me” for Halsey, plus impact-making tracks like the 2X Platinum “Boyfriend” for Dove Cameron,
“Rockstar” for Lisa (the 2024 MTV VMA winner for Best K-Pop), and more by Justin Bieber, Tate McRae, Renee
Rapp,
Alana Springsteen, Gracie Abrams, Teddy Swims, and others.
“I’m obsessed with writing songs, I’m obsessed with the craft,” Delacey says. “It comes with a weird
possession
of magic in the air, which sometimes lets me use it and sometimes doesn’t. And it’s the job that keeps me in
the
studio all the time, which I love.”
The job recently led Delacey into new territory – contributing to the soundtrack of Dreamworks’ animated
feature
film, The Wild Robot. Co-writing both original songs from the acclaimed project (“Kiss the Sky” and “Even When
I’m Not,” sung by Maren Morris), the touching tunes were a demonstration of Delacey’s versatility, and also
opened new creative outlets. Co-writing “i hope i never fall in love” with Morris for her Intermission EP, the
pair went on to tour together in 2024, showing a whole new audience the intoxicating, full-band display of
wounded soul Delacey unleashes on stage.
Meanwhile, the emerging star’s own work paired the deep-feeling drama of dark pop with a lust for life in the
Lexapro age. Studding early albums Black Coffee (2020) and The Girl Has a Dream (2023) with cross-pollinated
confessions like “The Subway Song” and “Cruel Intentions” (featuring G-Eazy), she’s gone on to keep pushing
the
envelope – even as life changes. 2024’s spontaneously-conceived-and-created collab album The Honeymooners was
written largely while she was on her actual Paris honeymoon with new husband/fellow artist Valley Boy, and
while
standout tracks like “Drive Baby” marked a shift, she sees her newest work as a creative awakening.
Bringing her signature edge to bear with the added weight of wisdom, energy and emotion cut deeper than ever
on
CRYING OVER BEAUTY with the potential for romantic “wreckage” all too real. Written and recorded in Nashville
with Nate Campany and JT Daly, the deeply-personal set refines her sound and speaks to fears many women face
as
days go by – but while Delacey admits she’s always lived like an open book, this is different.
“I didn’t hold back at all,” she says. “I’m in my 30s now, I’m not fucking 17. I have lived and lived through
a
lot of shit. Now I’m married, and to a lot of people that might not be sexy. But I was like ‘You know what,
who
gives a fuck?’
“My fear of aging out has completely disappeared,” she goes on. “I don’t feel scared anymore, which is
beautiful. I feel like it opened up this passage for my soul, like getting older can just be better. Honestly,
I
feel like I’ve made the best thing I’ve ever made.”
More than a decade on from turning her obsession with expression into a life’s work, Delacey’s winding
creative
path has led to this very moment. She’s not going to hide any of the journey, or any of herself … and just
maybe, that boldness could help.
“I guess I feel like I’ve lived many lives, and I’m not ashamed of any of it,” she says. “If my music can
somehow help a person feel seen with whatever they're going through and give them that, that would be really
cool.”